INES LECHLEITNER, ARTIST
Ines Lechleitner is an artist using a varity of mediums such as photography, performance, sound, video, drawing and scent. Her research focuses on systems of nonverbal communication and aims for situations of interdisciplinary dialogue. Selected shows: Friends With Books, Hamburger Bahnhof, Berlin; The Inner Acoustic, Errant Bodies, Berlin, 2015; PER/FORM, CA2M Centro de Arte Dos de Mayo, Madrid, 2014; Imagine Two Rivers, Galerie für Landschaftskunst, Hamburg; Platzwechsel, Galerie Nagel Draxler, Cologne, 2013; Le son des mots, Fondation Cartier, Paris; Objets Reposés, M_Museum, Leuven, 2012;
Credits: Four to Two Feet, 2015, Installation and performance by Ines Lechleitner with Alice Chauchat, Part of exhibition I have always imagined that paradise would be some kind of library at Hamburger Bahnhof, Photo © Friends With Books // Imagine Two Rivers: The Search for the Elbe—Yamuna Perfume, 2013 // Silver Back, 2012
CAROLIN LEISTENSCHNEIDER, DIRECTOR AT CONTEMPORARY FINE ARTS GALLERY
As director of Contemporary Fine Arts, where she has been working since 2010, she is particularly responsible for sales and the customer and collection liaison. Her field of action also comprehends artist support and exhibition arrangements in general. A number of times in the year, they show their artists' works at art fairs, such as in New York, Hong Kong, Basel, London, and Miami.
Credits: Portrait by Andrea Stappert / Installation view Georg Baselitz, Sigmunds Höhle, 2015, photo: Jens Ziehe / Courtesy CFA Berlin
NICOLE LOESER, CURATOR AND CULTURAL MANAGER
The curator Nicole Loeser founded her label WHITECONCEPTS in 2009. She has curated numerous exhibitions with renowned partners, e.g. Rivers and Trees (2015), The inner wealth (2014), Money Works Part I (2013), Impossible? (2012), The Golden Cage (2012), The universe is built on a plan ... (2012), The end of the dream (2011). As an art critic, she contributes texts on contemporary art and is editor of catalogues and monographs (p.e. Katrin Korfmann, Thorsten Goldberg, Elmar Hess). Additionally she serves as project manager of socially and environmentally engaged art projects (Battlefield Love Memorials, The Tree Walker). WHITECONCEPTS focuses on artist and project management, art consulting and exhibitions in collaboration with international artists, institutions, collections and enterprises.
Exhibition views: The affective turn, 2016, Photo © Andreas Wengel // Ensembles assembled , 2014, Photo © Katrin Korfmann // Preview Berlin, 2011, Photo © Nicole Loeser, Battlefield Love Live, 2015, Photo © BLM
ANJA LÜCKENKEMPER, WRITER AND CURATOR
Anja Lückenkemper is a writer and curator based in Berlin with work experiences in institutional as well as non-institutional contexts. She is interested in questioning labor and labor conditions – focussing on a feminist perspective –, as well as in the (artistic) construction of identity. In January 2016 she was appointed artistic director at Kunstverein Göttingen and continues to write for artist publications and exhibitions catalogues among others.
Credits: From the magazine: ANGRY TIME #2 Shadow Work, 2015, with Anna Dobrucki, photos © Michael Kohls
SARAH MASKE, INDEPENDENT CURATOR
Sarah Maske is an independent curator and researcher based in Berlin. Currently she is working as doctoral researcher and curator at Daimler Art Collection in Berlin. Additionally she is involved in a long-term ecological art project called “Sandsturm - And Then There Was Dust”, which will be finalized with three exhibitions in Berlin, Istanbul and Tehran. She is a doctoral student at University of Potsdam and researches about Ecological and Generative Art as well as processes and their visibility in art. In the past she has worked on numerous exhibitions, e.g. at Museum Morsbroich, Museum Wiesbaden and ZKM | Center for Art and Media, Karlsruhe and has been a scholar at Brandenburg Center for Media Studies.
EMILY McDERMOTT, WRITER AND EDITOR
Emily McDermott is a freelance writer and editor, who focuses on visual arts and culture. She is currently completing a Fulbright grant for Young Professional Journalists and her writing has been published by i-D, ARTnews, Elle.com, Interview magazine, W magazine, Nylon, and T: The New York Times Style Magazine, among others. Commissioning clients include Carbon 12, Dubai; SAVVY Contemporary, Berlin; Iwalewahaus, Universität Bayreuth; and Tywla.com. Before moving to Berlin, she was the digital art and music editor at Interview magazine in New York. She graduated as valedictorian from New York University’s Arthur L. Journalism Institute and her thesis was a finalist in the 2015 Hearst Multimedia Enterprise Competition.
SOPHIE MICHEL, HEAD OF PRESS & COMMUNICATIONS AT HAUS AM WALDSEE, AND FREELANCE WRITER
Sophie Michel studied art history, philosophy and Romance philology in Berlin, Kiel and Paris. During and after her studies, she worked for galleries as i8 (Reykjavik), Daniel Marzona (Berlin), Grundemark & Nilsson (Berlin & Stockholm) and for the private collection Safn (Reykjavik & Berlin). After two years working for the press office of Galerie EIGEN + ART Leipzig/Berlin, she is now Head of Press & Communications at Haus am Waldsee (Berlin). Based in Berlin, she also works as freelance writer in the field of contemporary art.
BEATRICE MIERSCH, CURATOR, RESEARCH ASSISTANT
Beatrice Miersch is a curator, research assistant and PhD student the area of art theory in Berlin. Within her curatorial work and her academic research she combines practice and theory – optimally in an interdisciplinary way with a team from different areas like sound or set design. Aspects of economic management and cultural studies are therein as important as the spatial impact of art and the interaction with visitors – who are always at the center of an exhibition. With her work she implements and try out innovative exhibition formats that interest and inspire a wide audience. Therefore she is always looking for people who are equally enthusiastic about and interested in innovative exhibition formats.
ZOË CLAIRE MILLER, ARTIST, CURATOR, ORGANIZER, ACTIVIST
As an artist Miller works primarily with ceramics and installation, often site-specifically, and often in modes of collaboration with others, often with a focus on thingness, texture, symbolic mutability, negative space and embodied affectivity. She cofounded and codirects the Berlin Art Prize, an independent art award, coorganizes the Refugee Phrasebook and the Utopian Union, and codirected the campaign for Time Grants in 2015. She exhibits internationally.
Credits: Portrait: Alexander Coggin // domestic exoskeletons, α,β,γ, 'he was there when I first smelled the smell, and now he is the smell', Rinomina, Paris, 2016, photo: Quentin Dubret // Terminal Screen Vision, 'Objects in a Room', Kunstraum, Kreuzberg, Berlin, 2014, photo: Christian Rose // Perfect for Your Beach Home, 'Konkrete Utopien', Berlin, 2015, photo: Blanca Gomila
Lauren Moffatt is an Australian artist working between video, performance and immersive technologies. Her works, often presented in multiple forms, explore the paradoxical subjectivity of connected bodies and the friction at the frontiers between virtual and physical worlds. She creates intricate universes, occupied by misfits and recluses and populated by strange devices and artefacts. These speculative fictions and environments are conceived using a mixture of obsolete and pioneering technologies, and informed by the history of cinema and broadcast technologies. Lauren completed her studies at the College of Fine Arts (AU), Université Paris VIII (FR), and at Le Fresnoy Studio National des Arts Contemporains. She lives and works in Berlin.
Credits: Lauren Moffatt / Le Fresnoy
MARIA MUNOZ, VISUAL ARTIST
Maria Muñoz came in 2009 to Berlin with a DAAD-Scholarship, where she obtained her Master Degree (Meisterschüler) at the Universität der Künste. Within her artworks she confronts how we perceive space. Her sculptural wall pieces, site-specific installations made out of wood and drawings explore visual perceptions based on abstract spatial compositions and colorful structures. They challenge the viewer to question the reliability of the visual information served to us. In this manner she aims to bring the visual perception of Art on to an existential level: in terms of what and how we see?
Credits: Lemniscata, Wallpiece, Sexauer Gallery, Berlin, 2015 // Alltagsgeometrie, Wallpiece, Berlin, 2015 // Interruption, Installation, 3 parts, Kunsthalle M3, Mengerzeile, Berlin, 2013
JENNIFER OELLERICH, ARTIST
Jennifer Oellerich is moving in between science and and poetry, watching, collecting and archiving precipitations like rain or snow. Water is the starting point for her to reflect upon the existential conditions of our being. She studied with Tony Cragg and Florian Slotawa at UDK Berlin. Since then her works have been shown in numerous solo and groupshows, e.g. in Israel, Istanbul, Athens and New York. There appeared publications at Monopol and Tagesspiegel, her works can be found in many collections at home and abroad. The artist is represented by KWADRAT gallery in Berlin.
Credits: Portrait by Bernhard Volkwein // The Hidden Hexagon, ceramics, varnish, wood, glass, dimensions variable, 2014 // Histories, found analog photos damaged by water, plexi glass, wood, varnish, 18x30x15 cm, 2013 // Epsylon Lyrae, digital c-print, 110x160 cm, 2017
YUKA OYAMA, ARTIST
Yuka Oyama is a Japan-born German artist who grew up in Malaysia, Indonesia, Japan, USA, and Germany. Oyama is working at the intersection between wearable sculpture, performance and video. By basing the wearable sculptures on interviews with individuals, Oyama's sculptural objects reveal the inner worlds of wearers. Oyama invites the subjects to engage in performances wearing the sculptures, which she documents through photography and video. Oyama explores to understand how emotionality in worn objects shape identity, amplify imagination, and generate connections between people.
Credits: Portrait // Vanessa Madec. Artworks // Alex Efimoff // Attila Hartwig // Becky Yee
HANNAH PARR, ARTIST
Hannah Parr lives between Berlin and Santo Domingo, therefor travel exploration are central in her practice. She works almost exclusively with discarded wood. The found objects become vectors, tools for exploration where fresh paint and mindful decision-making elevate, enliven and present the objects in a new context, in which colour and composition are at the fore. The work evokes an autonomy of form in its more physical presence; a celebration of unexpected formal qualities: forces that appeal to our sense of history and love of storytelling; an exploration of the requirements of function, and how these forces unify us, simplifying our being.
Credits: Gomas, 2014 // Tischdecke, 2014 // Kingdom Dominicana, 2015
KAROLINE PFEIFFER, MANAGING DIRECTOR INDEPENDENT COLLECTORS
Karoline is the Managing Director of Independent Collectors, the first online platform to share the passion of collecting contemporary art. Since its launch in 2008, over 5.200 collectors from 97 countries are registered on IC. Prior to that, Karoline worked for a number of different institutions within the cultural sector in cities such as Berlin, Paris and New York. From 2010-2012 she was responsible for the Freundeskreis der Kulturstiftung der Länder and also held the role as Project Manager for handl.e, working on the conception and realization of artistic interventions in organizations.
Credits: Portrait © Anastasia Muna
SOPHIA POMPÉRY, ARTIST
Reflecting reflection: These terms with their philosophical and physical double interpretation of thinking and mirrowing are central to the art of Sophia Pompéry.The magic of Sophia Pompéry’s conceptual work arises from her fascination with physical and optical phenomena, a fascination that focuses on apparently everyday occurrence and brings the unique in it to sight. She takes the commonplace and then invents a situation in which it becomes divested of ist ordinariness. And suddenly, our supposedly rationally ordered world is turned topsy-turvy.
Credits: Portrait © Honeybunn Photography // Palindrom, 2015 // Blindschlange, 2015 // Berkeleys Katze, exhibition view, Wagner + Partner, 2015 // images of the works and exhibition view: Courtesy Sophia Pompéry, Galerie Wagner + Partner, Berlin
GINA REINCKE, ART HISTORIAN AND CURATOR
Gina Reincke studied art history and Italian studies at Humboldt Universität Berlin, Università di Bologna and Freie Universität Berlin. During her studies she worked in several art galleries (Croy Nielsen, CFA a.o.) as an artist and exhibition manager and at the art magazine frieze. Lately, she was the Director of Future Gallery and additionally the curator of several exhibitions. At the moment she is working on independent curatorial programs.
Credits: Installation views: Kunstmuseum Stuttgart "Mixed Realities“ (Projekt mit Spiros Hadjidjanos: HD/VR Sculpture), 2018 // Oskar Koliander „Intelligo“, Future Gallery Berlin, 2018 (photo credit: Andrea Rossetti) // Henri Haake „Panorama", Souterrain Wien, 2018
YVONNE REINERS, INDEPENDENT CURATOR AND ART-MEDIATOR
Yvonne Reiners sees mediating as an artistic research process in itself that allows for enquiry – to re-imagine, re-arrange, and experiment with its methodology and ways of communication. She studied art theory, art mediation and fine art at the Hochschule für Bildende Künste (University of Art) at Braunschweig, Germany and finished her diploma in July 2012. Afterwards she started her doctoral thesis on Performative Conversation as Material in Art at the HFBK Hamburg. In 2014 she initiated the salon-series Performing Encounters. This long term project, which was awarded a research stipend by the city of Berlin in 2015, focuses on games as an area of research. As a holder of a stipend awarded by the nGbK Berlin 2015/16 in the area of art mediation she is currently developing a special mediation project together with a computer.
Credits: Portrait by Aleksander Komarov, 2015 / Performing Encounters 1, Img: Heiko Pfreundt, 2015 / Performing Encounters 2: Img: Sebastian Körbs, 2014 / Performing Encounters 3: Img: Emma Haugh, 2014
NINA RÖMER, ARTIST
Nina Römer studied painting at the Düsseldorf College of Arts until 2003 and became together with Torsten Römer master class students with A.R. Penck. Since 1998, they have worked as an artist couple on joint artworks. Many stages of abstractions are necessary, from the first retinal impression to photographic images and digital image editing, until the painted transformation of the subjects. As subtle chroniclers of paradoxical societies they are actually coming to terms with the Holiday Communism of the legendary Festival ФУЗИОН.
Credits: Portraits © Berliner Morgenpost, Frank Lehmann // Party-Straeflinge, 2014 // Sputnik, 2015 // Fusionistas, 2015