JANINE EGGERT, ARTIST
Janine Eggert is a German artist who studied at the Hochschule für bildende Künste Hamburg and the Ar.CoInstitut in Lisbon. Her works are included in shows in Germany and internationally such as Hamburger Kunsthalle, Kunstverein Wilhelmshöhe Ettlingen, Machine-Raum Video Biennale Denmark and Kunsthalle Galapagos, NY, featuring large-scale installations, sculptures, screen prints and video works. Alongside her work as an artist she founded the exhibition space Lady Fitness in 2014 and furthermore curates site specific exhibitons such as Arcadia Unbound in the Funkhaus Berlin 2015.
Credits: Ghost Rider, 2015, with Philipp Ricklefs, installation view P/ART 15, Kraftwerk Bille Hamburg, photo: Karsten
Eisfeld // Dynamic Component #3, 2012, photo: Karsten Eisfeld // Civilization, 2013, installation view Galerie
CATHERINE EVANS, ARTIST
Catherine Evans is a contemporary artist working across photography and sculpture. Initially trained in science and then photography, she is interested in the sculptural treatment of raw photographic materials. She draws on a selected vocabulary of everyday objects such as rocks, carpet and sticky tape. Through the careful combination of these common materials, they begin to take on a sense of weightlessness, a light-sensitivity akin to the photographic process. Her current studio research investigates the intersection of human and geologic timescales.
Credits: Artist portrait // Standing Stone, 2014 (installation view), basalt, steel, sticky tape // Irrstern, 2017 (detail), quartz crystal, carpet // Bruise, 2014, framed photograph // all images: Courtesy the artist
NADINE FECHT, ARTIST
Nadine Fecht studied languages and archeological drawing at Humboldt University, Berlin and received an MFA in Fine Art from Universität der Künste, Berlin. Her conceptually driven, large scale drawings, and installations have since been exhibited at Kupferstichkabinett, SMB Berlin, Kunstverein Harburger Bahnhof, Akademie der Künste Berlin a. o. She received various scholarships and grants, e.g. Berlin-Stipendium Akademie der Künste Berlin, Stiftung Kunstfonds Bonn, Dorothea Erxleben Brunswick. In 2014, she was awarded the Will-Grohmann-Preis by Akademie der Künste Berlin. Her works are part of several public collections, like Hamburger Kunsthalle, Berlinische Galerie, SMB Kupferstichkabinett Berlin, Neuer Berliner Kunstverein n. b. k., and Kunstmuseum Basel.
Credits: "Jedes Kollektiv braucht eine Richtung", SMB Kupferstichkabinett, Berlin 2013 // "sweatshop", 2015 // "close reading", Akademie der Künste, Berlin 2013 Foto E. Wunder, Marcus Schneider
ORNELLA FIERES, ARTIST
Ornella Fieres’ work explores the boundaries and transitions between the digital and analog space. To investigate these areas she develops special photography, video and sound techniques that forcefully merge, not only analog and digital media, but also light, space and time. The analog and the digital possess with their nostalgia-creating and fugacity-evoking qualities a romanticistic, poetic connotation that she captures in her work. Ornella Fieres’ series have been exhibited for example at the Photokina Cologne, the Kunstverein Speyer or the Preview Berlin Art Fair. In Berlin she is represented by Sexauer Gallery.
Credits: exhibition views LOOKS LIKE YOU TRIED TO GO SOMEWHERE THAT DOES NOT EXIST, Sexauer Gallery, Berlin, 2015, photos © Marcus Schneider
LARISSA FISCHER, ART HISTORIAN AND GALLERY ASSISTANT
Larissa Fischer is working as an assistant in the gallery Kuckei+Kuckei in Berlin which was founded in 1993 by the brothers Ben and Hannes Kuckei. She received her Bachelors degree in Art History at LMU in Munich, where she was born. In her hometown she worked for an auction house, did an internship in public relations at Bayerische Staatsgemäldesammlungen and also in the culture department of ELLE Magazine. In 2016 she moved to Berlin and is currently studying her Master in Art History with focus on American and European Contemporary Art.
LENA FLIEßBACH, CURATOR AND WRITER
Lena Fließbach works as a freelance curator and writer. Her latest exhibition The Impossibility of Being, shown at Kunsthalle Exnergasse, Vienna, she curated together with Hannah Beck-Mannagetta with their collective The Current. In 2014, both curators developed the interdisciplinary format for guided tours Walk the Talk, which was held for the first time in the context of the graduate exhibition of the KH Berlin. After her studies of art history Lena organized exhibition projects for Donata and Wim Wenders. In 2011-2013 she was responsible for the program of the Galerie im Turm, Berlin.
Credits: portrait by Rod Tanzer // exhibition view: Aufsteigen - Katrin Wegemann, Galerie im Turm, 2013 // exhibition view: YOU ARE MY FREEDOM / I AM YOUR PRISON - Stephane Leonard, Galerie im Turm 2013 // exhibition view: When I was young this was supposed to be the highest mountain in the world - Iris Janke, Rebecca Riedel & Mieke Ulfig, Galerie im Turm, 2013
ZOHAR FRAIMAN, ARTIST
The theme of possession constitutes a central topic in the work of Israeli artist Zohar Fraiman. Her paintings have an indescribable peculiarity generated by her displacements of forbidden fantasies. As is often seen in fairy tales, what is most important are not the impossible occurrences we see on the surface but rather a moral behind an (untold) story. Fraiman studied at the UdK, Berlin. She has recently showed at the Museion Atelier House Bozen (2016, Italy), Kunsthalle Luneburg (2017, Germany) and Schloss Achberg (2017, Germany). In Berlin she is represented by Galerie Russi Klenner.
ELEONORA FROLOV, EXHIBITION MAKER
Credits: Portrait © Laurin Würdig // Exhibition: Du sollst Dir kein Bild machen, Armin Lindauer, Pot 72, 2014 © atelier elf // Exhibition: Cubo al quadrato, quadrato al cubo, Grazia Varisco, DiehlCUBE 2014 © Markus Schneider // Exhibition: Floaters, Mark Lammert, DiehlCUBE 2015 © Markus Schneider // Exhibition: Constantin Flondor, DiehlCUBE 2013 © Markus Schneider
VALENTINA GALOSSI, CURATOR FOR CONTEMPORARY ART
Valentina Galossi has an interdisciplinary experience across film, performance and visual art. In the last four years, she creates international relationship and connection to the gallery worlds. Valentina earned a B. A. in Performing Arts and a M.A. in Digital Arts, additionally a fellowship in Contemporary Art. In London, Tate Modern, she participated at the production of a Site-Specific dance performance for the Turbine Hall. In Berlin, she was curator in residence, project manager and gallery manager. In 2015 she curated BerlinRoma, an international group show who took place in an unconventional exhibition venue and she organized Sundowner, a series of events, in front of the Neue Nationalgalerie.
Credits: Sundowner #1 LA FAYETTE, Rebecca Wilton, Neue Nationalgalerie, Berlin, 2015 © Valentina Galossi // exhibition view: Faraway, So Close!, FichteBunker, Berlin, 2012, © Laura Giannetti // exhibition view: BerlinRoma–Reverse Inequality, Patrick Ebensperger Galerie, Berlin, 2015 © Patrick Ebensperger Galerie
KERSTIN GODSCHALK, CURATOR AND CULTURAL MANAGER
Kerstin Godschalk works as freelance curator and writer, in art education and cultural management. After her B.A. of Cultural Sciences at the European University Viadrina she worked as a project coordinator for the department of Visual Arts at Haus der Kulturen der Welt (2013-2015). Lately she was responsible for the program of HB55 Kunstfabrik (2014-2017). From an interdisciplinary perspective she approaches modern and contemporary art questioning their interdependency and involvement in sociocultural processes and the transformative potential of artistic strategies. She follows this research furthermore in her M.A. of Art History in a Global Context at Freie Universität.
Credits: exhibition views, Kunstfabrik HB55: Wi(e)dersehen, 2014, (© Laure Catugier // Wirkungsfeld, 2015 © Clémentine Rettig, Cédric Mantel // Stefan Reiss, OT744, performance dinner during LEBENSMITTELpunktKUNST, 2015, © Jörn Rädisch
LENA VON GOEDEKE, ARTIST
Lena von Goedeke's works - painstakingly manufactured paper cuts, penderous, while seemingly hovering landscapes made of concrete sand, delicate drawings and site specific installations from diverse material - have to be witnessed in original to be comprehended. The research of physical and mathematical phenomena and the transformation into fragile and highly aesthetic artworks is characteristic for her work. Lena von Goedeke’s works have been exhibited at Museum Ostwall, Dortmund, August Macke Haus Bonn, Art Düsseldorf and several Kunstverein shows. She is represented by Galerie m bochum and Bernhard Knaus Fine Art, Frankfurt.
Credits: Portrait (c) Roland Baege // Radar, 2018 // Bittersweet, 2018 // Zombies, ongoing
SOPHIA GRÄFE, MEDIA SCHOLAR, FREELANCE EDITOR AND PR CONSULTANT
Sophia Gräfe is a media culture scholar, assistant curator and freelance text editor based in Berlin. Her academic work explores the sociological and epistemological meaning of pictures within cultural processes. This includes work within the fields of video and digital art. As an assistant curator she has worked with various media and experimental film festivals such as the transmediale festival, Werkleitz festival and Internationale Kurzfilmtage Oberhausen as well as galleries and artist studios. She is frequently editing texts and applications for artist, curators and galleries and is currently a research assistant at Philipps-University Marburg.
MARIE GRAFTIEAUX, CURATOR AND CULTURAL MANAGER
Marie Graftieaux is currently head of the office for visual art at the French Institute in Berlin. Since 2013, she has been co-director of the project spaces NuN (until 2015) and insitu collective. Further, Marie has many years of experience in gallery and artist studio management. She holds a Master of Contemporary Art Practices degree from the Sorbonne Paris IV.
VANESSA GRAVENOR, ARTIST
Vanessa Gravenor is an artist and critic living in Berlin with research interests in cybernetics, trauma, and proxy politics. Work toggles video, sound, fiction, and documentary practices. Gravenor’s artistic works and critical texts question how present day emergences of violence are embedded within histories and demonstrate how retellings can be a place for power reversals, complicating what is recognized as official truth.
Credits: Me/ My Bullet, 2016, Video, installed in VISIO European Programme on Artists’ Moving Images, Le Murate, Florence, IT, 2018 photo by: Federica Di Giovanni / This Weapon Drags Like a Boomerang, 2018/19, Video, installed in Up in Arms, Kunstraum Kreuzberg, Berlin, DE, 2019 photo by: Can Kurucu
KATRIN GÜNTHER, FREELANCE COPY EDITOR, ART HISTORIAN, AUTHOR
Katrin Günther works since 2011 as freelance copy editor for publications and exhibition catalogues with main focus on fine and contemporary arts and artist‘s books. She works for many well-known museums, publishing houses, curators and artists as well as she writes own texts from time to time. She studied history of art, media sciences and literary studies in Leipzig until 2005, from 2005 to 2011 she works as project manager and copy editor of Kerber Verlag, until 2010 she was Head of Kerber Office Leipzig. Katrin Günther is member of ICOM, the Organisation of German Art Historians, and VfLL (German Organisation of freelance copy editors).